This is an interesting little short film that displays tremendous vision and scope.Vodpod videos no longer available.
Through my dealings with CBR, I occasionally get to do cool stuff like fly to San Francisco and review the new Transformers video game, or mess around with a free Flip video camera. Over the past week I had the chance to go to a screening of Paramount’s new movie “Middle Men,” which opens in theatre’s today, and do roundtable interviews with the cast, producer and director. I haven’t really stretched my journalistic legs since my high school canceled the newspaper after my 9th grade year (right after I was named Editor-In-Chief, go figure), so it’s nice to get a chance to work on that skill set again. I’m nowhere near the journalist (or writer) I want to be,but working in various avenues definitely keeps me a bit more limber.
Here are my interviews and review of the film, all posted on CBR’s SpinOff Online:
Justified, based on a short story/character from master novelist Elmore Leonard and developed for TV by Graham (Speed, Boomtown) Yost, was a show I got excited about as I do nearly everything on FX. That interest grew when I found out it was based on Leonard and they showed the first trailer. The same happened again when the posters started to hit, and gave just the right vibe (along with smart design) for my taste.
I really enjoyed the pilot, but it stopped short of great. It had all the elements needed to create a proper show engine: likable and iconic protagonist, Timothy Olyphant in that role, great introduction to him, great title sequence and theme song, and a very interesting antagonist with a complexity not often seen on television in the form of Walton Goggins’ Boyd Crowder. It just didn’t reach the levels I was expecting from the trailer. And then the second episode rolled around…
The structure wasn’t what I was expecting from the show, or had come to expect from the 13-episode seasons of other FX shows. Bryan Hill went all Tony Stark and built a paradigm for the elite television shows, and for the most part it’s the model on which all of FX’s shows are structured. Justified went a different way. It was more episodic, so that anyone could tune in at any time and understand what was going on, and even if they didn’t could still enjoy Raylan catching the “villain of the week.”
For lack of a better description, I feared Justified was turning into a USA show. There’s nothing wrong with them – they are infinitely watchable – but they don’t possess the same depth as what outlets like FX, AMC, HBO, and Showtime are putting out. FX is all about characters in increasingly convoluted situations and gravitas and darkness, yet Justified felt light(er).
I stuck with the show because it was enjoyable and this is the off-season for most TV; I couldn’t be happier that I did. It got better just about every week, and the overarching story grew incrementally until it felt like there were minimal episodic elements and the creators had been building to an intense finale from the opening scene of the pilot. They had pulled a bait-and-switch, and a welcome one at that.
The first season finale aired last night and was a thing of beauty. I can’t get into much for fear of spoilers – I know way too many of you didn’t watch this show – but if you want payoffs it has them. If you want to know what Season 2 will feel like and still be not at all sure… they’ve planted the seeds to keep you wondering.
I mentioned this on twitter previously, but I’ll go into it again with a bit more space. Justified has hands-down the best character introductions and economical character development of anything in recent memory. No one is built by talking about them when they’re offscreen. Characters do. One of the first lessons I learned about dramatic writing is that action is character. When a character shows up on Justified, they do things that actually define. Things that are true to their character and let you know exactly who you’re dealing with. It’s not a world inhabited by stereotypes or even archetypes; these are living, breathing, believable characters. I’ve known for a few weeks that I’ll rewatch the show to figure out exactly how they pull this off. It’s a rare concoction of clever writing and excellent casting and performances, I’d imagine.
To sum up, Justified is an excellent show. It spends most of the first season in watchable/good mode, but as it ramps up to its end approaching greatness. It certainly seems poised to make that leap next season, especially with… Sorry, almost tossed out a spoiler there. Do yourself a favor and check it out. It’s got the goods.
You can see the promo trailer HERE.
And here’s a quick look from New York Magazine about building a better hero, using the show as a case study.
Gini Collins: Joe still inside?
Mike Terry: No, he just left.
Gini Collins: Left?
Mike Terry: Yeah, maybe he went to the club.
Gini Collins: What happened to the window?
Mike Terry: Isn’t he on at the club?
Gini Collins: Um, that’s funny.
Mike Terry: Weren’t you going to the mountains?
Gini Collins: Why would he go to the club?
Mike Terry: Isn’t he working tonight?
Gini Collins: The club? No. No, no, no. He hasn’t worked at the club in months. Listen, uh, I have to tell him something. Okay? Tell him.
Mike Terry: Why?
Gini Collins: Why what?
Mike Terry: Why hasn’t he been working there?Gini Collins: Yeah, I know. Listen, I gotta get home.
I have reason to believe he probably has a hard time trusting most people. It’s because he gets them so well in his writing, and their often duplicitous nature. He’s spent enough time in the underbelly and dealing with magic and trickery that it must be hard to ever just look at the surface of things. And while I just made that up based on the content of his work, I did find this in an article he wrote:
And, I wondered, how could I have spent decades thinking that I thought everything was always wrong at the same time that I thought I thought that people were basically good at heart? Which was it? I began to question what I actually thought and found that I do not think that people are basically good at heart; indeed, that view of human nature has both prompted and informed my writing for the last 40 years. I think that people, in circumstances of stress, can behave like swine, and that this, indeed, is not only a fit subject, but the only subject, of drama.